Sunday, 22 October 2017
Saturday, 14 October 2017
|Cartoon looks about right and reflective of MQA... From article here.|
Sure, I'll be around to add my two bits and answer questions where I can, but to be honest, I'm a little tired of MQA by this stage and how much of a big deal it isn't, IMO.
Saturday, 7 October 2017
After having gone through the "core" results and subgroup analysis from the MQA Core vs. Hi-Res PCM Blind Test, let's review and post some subjective comments gathered in the survey. This provides an opportunity for us to see how people described what they heard and since we know what the preferences were, put them in the context of whether the descriptions referred to a bias towards the MQA decode or standard PCM...
Thursday, 28 September 2017
This is Part III of the summary and results of the MQA Core decode vs. standard PCM Hi-Res blind test following from the "core" results last week.
At this point, we know that if we look at the "big picture", evidence suggests that there are minimal audible differences. So if we dig into the data set a bit further, let's see if we can ask questions based on the subgroups identified. I'm sure many of you have been curious about some of these questions for awhile but until having access to a large enough database such as this, it's difficult to obtain answers.
Let's then ask a few questions and interrogate the database for hints...
Saturday, 23 September 2017
As you know, Part I - Procedure is now published. Within it, I laid out in detail the test, how it was constructed, and how data was collected. Today, we'll embark on the exploration of the data itself. While I will try to conclude with some general points by the end of this post, I will not have had time to analyze everything quite yet. I'm currently anticipating at least another couple of posts to fully flesh out the data set including posting some of the subjective comments made by listeners. I feel this is the only way to properly thank those who took their time and provide as much information as possible to answer any lingering questions.
Let's start... Today, let's focus on the "core" or "headline" results I think most of us are interested in. Who are the people who tested and submitted results? What overall were their preferences? What was the result for each specific track? How confident were the respondents about their choice? And how significant were these findings ultimately?
Friday, 15 September 2017
Introduction:As you are probably aware, through the last 2 months on this blog, I've been collecting data to determine the audibility of decoded MQA versus the same piece of music originating from the "master" high resolution source. Please refer to the Test Invite article from mid July 2017.
Over the last couple of years, I have been curious about the MQA technique and followed the evolution of the "technology" as it has been touted as being the next step in digital music playback. Throughout the last 2 years, I have tried to develop an understanding of what it's doing beyond simply the superficial talk around being "revolutionary", "fundamentally changing the way we all enjoy music", nebulous claimed links to "neuroscience", or talk of bringing the "studio sound" to the consumer. If you look back, I have written articles looking at:
Saturday, 9 September 2017
MUSINGS: Evidence of digital player jitter with asynchronous USB DACs? Melco N1ZS20/2 review in HFN&RR...
The UK magazine Hi-Fi News & Record Review is interesting. Like Stereophile here in N. America, it includes objective measurements. Over the years, I've seen times when they have criticized questionable "hi-res" downloads showing nothing more than upsampled music. But they also seem to like "showing" rather meaningless measurements such as a few years ago with their USB cable roundup.
Recently, I believe in the May 2017 issue, they reviewed the very expensive "cost-no-object" digital server - the Melco N1ZS20/2. This device is the "mk2" of their top-of-the-line music server/player with the capability for data output through ethernet or USB connection to one's DAC.
Friday, 1 September 2017
Much has been discussed about amplifier power over the years; here for a short primer, here for a contemporary take with advice from Crown, and here for an oldskool audiophile take on the matter when dinosaurs and tube amps ruled the land (notice the positive sentiment towards even low power transistor amps compared to the low-wattage tube jobs in this article!).
We often hear the question: "How much power do I need?" A very reasonable query of course when we're thinking of buying a new amplifier.
The answer to that question of course really depends on your needs. The bottom line is that it really is about your context and preferences, the quantity and quality of the amplifier you need can vary based on all kinds of factors. When it comes to quantity, it will of course depend on the efficiency of the speakers you listen to along with size of your room, distance to the listening position, placement of the speakers, and absorptive/reflective surfaces in the space.
Saturday, 19 August 2017
MUSINGS: Increasing the Dynamic Range of compressed audio with DSP... (And is this why vinyl DR is higher!?)
Sadly, the good doctor's diagnosis applies to too many of the recordings we listen to these days.
I mentioned last week a recommendation for July Talk's Touch album at the end of that post. There are a number of catchy and enjoyable tracks on there... However, if we put this album through the foobar DR Meter, unfortunately, we see an album with really nasty dynamic range compression - DR4. Yuck.
Hmmm... Is there any way to change that?
Saturday, 12 August 2017
MUSINGS: The 3 Main Home Computers 2017 (Workstation, Server, Gaming) & Thoughts on Gaming Consoles (like the upcoming Xbox One X)...
In the heat of summer, it is nice to get some time off to fix up around the house and do something that I typically take no pleasure in - rebuilding computers and reinstalling the OS & software! It requires a level of "Zen and the Art of Computer Maintenance" that I can only muster up every few years :-).
If you're like me, at home, you might have a little cadre of computers for work and personal purposes. As painful as it is, every few years, I'll update the OS, maybe tweak the hardware here and there (everything from cleaning up cables, vacuuming out dust, updating motherboard firmware and drivers, and the occasional refreshing of the heatsink compound). Updating a less "mission critical" machine like a HTPC or game machine (such as previously discussed) is not a big deal because in my view, that won't affect the others. However when I update the powerful main Workstation, I try to reuse the parts for some of my "lesser" machines; can't let perfectly good high speed CPU, RAM, and motherboard go to waste.
Saturday, 5 August 2017
|SMSL A6 Integrated Amp - playing through USB 24/352.8kHz signal. Notice the matte/satin finish of the aluminum case. Probably need to wipe it down once awhile if dusty.|
Today, what I wanted to test out with the SMSL A6 are the RCA and headphone outputs from this device. As usual, along the way we'll have a peek at jitter results, the antialiasing filter being used, and check out the various inputs - USB compared to the S/PDIF variants of TosLink and coaxial.
Saturday, 29 July 2017
REVIEW: SMSL A6 integrated amplifier - Part I: Overview and Subjective Listening (and briefly about USB cables)
|SMSL A6 at home in my living room system with Tannoy Mercury Mx2 speakers. Doug MacLeod's Break The Chain (2017, Reference Recordings 24/176.4 downsampled to 88.2kHz, DR16) playing over Logitech Media Server.|
In the last 5 years, I've supplemented his system with various DACs for the CD player, and most recently got him a streaming connection with my Logitech Media Server based out of my home server using a Logitech/Squeezebox Touch.
This set-up sounds very good. The classic Klipsch speakers really do throw up a fantastic soundstage, have quite a smooth sonic signature (though a little mellow for my taste), is extremely sensitive, thus easily powered by low-wattage amps.
He has gradually transitioned to almost exclusively digital streaming, finding the convenience indispensable compared to spinning disks (whether of the polycarbonate or vinyl variety). As much as the tube and large integrated amps sound great, over time some of those components have needed maintenance and I figured it would be nice for him to try out something much simpler than manually turning on/off multiple devices every time he wants to hear good sounding audio. Thus, the purchase of the SMSL A6 integrated DAC/amp.